Cherry Cola Juliet

Not down in old Soho 

If Juliet and Romeo woke up in the 21st century and obtained research fellowships after uni then they might well be reincarnated in post pandemic London as ‘caramelised’ 'boy' and 'girl' in poet Mara Nkere’s ‘Cherry Cola’ . So intense is the passion of these modern day lovers in this erotic and doomed tale of two opposites who don’t quite trust their tryst. So potent is the depth of feeling that it might be remiss to think of London as anything less than romantic purgatory. This is not a couple who meet down in old Soho for a laugh. 

These vignettes and soliloquies written in a variety of forms show modern dating as a simmering and 'atomic' love assault. The union which starts as a cagey game of chess soon begs the question: Does ‘girl’ truly believe she can withstand her own misgivings? The Romeo and Juliet theme transcends time and hyperbole is also used with devastating effect. Planets fall from heights, overdoses loom, there is much here that echoes Shakespeare’s secondary school classic. Religion plays a part as well as ‘the girl’ tells ‘the boy’, there is no contest between him and Jesus, 'because please don't let me choose boy, because it'll always be Jesus' . 

The war of words intensifies as the passionate pair use their work or post university scientific leanings to dissect their relationship. If Juliet Capulet's stars don’t quite align in time to save her life in R and J then the lead character 'girl' is a prisoner of her own blood moon and is ‘transfixed’ by the boy as he is a pendulum of a clock that stops her natural time. 

The book is divided into halves, each narrator has their own POV and love lament and the book is written in a variety of narrative styles (letters, diary entries, statements) that work so you seek for clues to the mysterious  ‘boy’ nicknamed Cherry Cola. ''Boy' meanwhile is more watchful and cautious but also feels himself being seduced into the bad torment of love.  ‘Girl’who loves her blond blue eyed young lover’s ‘extraordinary mind’ commits early and with sexual intensity but perhaps predictably isn’t far off considering ‘cutting off his dick’ and grinding it into a potion. This exotic or more grown up ‘girl’ is less needy than  Shakespeare’s innocent Juliet and will clearly make  her own choices. However this reference to potions with body parts has literary echoes of Shakespeare’s other  landmark Macbeth and Nkere’s book buzzes with personality. Funk, fusion,  modern day riffs this poetic lament has a musicality with some classic cat fight put downs. This is Romeo and  Juliet’s  spicy 21st century cousin with no Benvolio to keep the peace. It is as if 'girl' has taken a page from cousin  Tybalt in this 21st century love tango. 

Lust for Learning

Fall of Troy

Cambridge mediaeval literature scholar Charles Moseley brings us his philosophical and engaging memoir ‘HUNGRY HEART ROAMING’ which is now available through Black Spring Press. 

The Lancashire native and passionate fen walker begins his personal journey (of sorts)  by describing the singular starling that traces the dusk skyline before swooping back into the murmuration. This metaphor for the solo traveller is evocative because Moseley next  introduces  his impressionistic student self trudging in the dusty footsteps of Saint Paul through Greece, Corinth and Rome.  Soon we are transported into this ancient holy world by a backpacking Cambridge Scholar who confesses to a 'hot lust for understanding ever just beyond your grasp.'

Whether traveling for pleasure in the great museum of life that is Europe or as a sought after (but unknown) specialist guest lecturer in South America, Moseley is blessed with the poet’s eye and writes comic descriptive passages; as a young student in Crete he dodges a seismic 'twitch of the earth's skin' and later quietens as his wife tells him to stop talking and simply look out at the sea. Far from being ‘tediously loguacious’ the writer delights in piecing together world history. From Greek mythology, to European cultural appropriation, critical writing about the Bizantine empire, to saluting ancient poets such as Pope, Wootton, Donne, Dante, to witnessing the gloom of Tuetonic Tallin and then on towards symposiums in Albania and back, the old adage that once a 'lecturer, always a lecturer' rings true. What recurs is we are given insights into the dark natures of human existence which have plagued western thinking since the downfall of Troy.  Moseley is a kindred sage to the poets he so admires. 

There are serious undertones into these darker epochs as the author describes the nonchalant rise of power in Vienna of a failed art student by the name of Adolph and this insight into cultural and historical Vienna,  Prague, Bucharest and other parts of Europe re-visited from the 60's till now describe a scholar and soul who is not blind to the atrocities humans commit in the face of the most civilised, noble or religious pursuits. Moseley's writes about Franciscan Friar Michele De Cunheo on the Columbus mission to St Croix in Antigua in the seventeenth century and the research is singularly harrowing and critical of man's willingness to indulge in sadistic pleasure. 

Equally adept at mining a darker theme, the philosophical style also serves to ridicule the emptiness of the pursuit of power and a comic aside (of which there are many) imagines the lonely Greek gecko as if a childless old man, who 'contemplates whatever geckos contemplate'. 

Fans of an off beat travelogue will not be disappointed. There is loads which will appeal to those who look for clues and secrets of ancient civilisations on obelisks hidden in the museums and libraries of the Bizantine era. Also there is an understated but mordant British wit and irony in this book including how friendly local Cretans in Greece preferred Brits to German tourists in the 1960's. 

Moseley can sometimes get carried away with digressions but this is all part of the charm and we feel that we are in the hands of a wry observer but also a passionate and spiritual man on a quest for understanding life through history and world travel. Equally important is this role as a Cambridge scholar and poet who continually pushes to understand more.  

In much the same way Claire Tomalin cast her meticulous eye towards Charles Dickens in 'A Life', Mosley shares his own inimitable interest in life in 'Hungry Heart Roaming'.