from Fair bodies of unseen prose,Why do so few words directly contain the antidote to solitude?
One day, to be determined. Ecumenical.
In sound, in fragments. This raft, of
inexplicable. In Orlando, withered.
Holding shape in the hand. What kind of
trees. The sentence, always. Whereabout.
A preliminary phrase. Lodged. If but to
bear witness. Translated, upon. Unwinds:
a river of symphony. This torn ground
will contain. It will not. This fiction of
history. I wrote the first word.
Born in Ottawa, Canada’s glorious capital city, rob mclennan currently lives in Ottawa, where he is home full-time with the two wee girls he shares with Christine McNair. The author of more than thirty trade books of poetry, fiction and non-fiction, he won the John Newlove Poetry Award in 2010, the Council for the Arts in Ottawa Mid-Career Award in 2014, and was longlisted for the CBC Poetry Prize in 2012 and 2017. In March, 2016, he was inducted into the VERSe Ottawa Hall of Honour. His most recent titles include the poetry collection World’s End,(ARP Books, 2023), a suite of pandemic essays, essays in the face of uncertainties (Mansfield Press, 2022) and the anthology groundworks: the best of the third decade of above/ground press 2013-2023 (Invisible Publishing, 2023). His collection of short stories, On Beauty(University of Alberta Press) will appear in fall 2024. An editor and publisher, he runs above/ground press, periodicities: a journal of poetry and poetics(periodicityjournal.blogspot.com) and Touch the Donkey(touchthedonkey.blogspot.com). He is editor of my (small press) writing day, and an editor/managing editor of many gendered mothers. He spent the 2007-8 academic year in Edmonton as writer-in-residence at the University of Alberta, and regularly posts reviews, essays, interviews and other notices at robmclennan.blogspot.comauthor
Labels: Canada, Canadian Poetry, London, Ottawa, Poetry, publishing, rob mclennan, writing